An interesting story in this week’s edition of Television Week points out that ratings for shows in the Reality Television genre are off about 12 percent over last year. What’s hidden inside this story is a much more scary story about television viewing habits that, I think, are telling us much more about the American public’s media consumption tendencies.
First off, you can’t miss the point in this and other articles that reporters and especially media critics really hate reality television. Frankly, so do I. I can’t think of a bigger misnomer than calling Fear Factor, The Apprentice and the rest “Reality TV.” What’s so real about it? I’ve never had to eat bugs or enter into an employment tontine.
But reality television is popular. Very popular, in fact.
Take out the top performers in both genres and reality television out performs scripted television by about 20%. But what is intrinsically superior in reality television that would make it so much more popular than scripted fare?
For starters, one has to consider that we’re seeing more than the birth and growth of a new entertainment medium. We’re also seeing the end of another and the decay of television viewing from its previously unassailable position as THE media of choice.
Specifically, as reported in the New York Times the situation comedy is dying. Problems for the format will only get worse as Friends, Everybody Loves Raymond, Fraser and The Drew Carey Show all end their long runs this year and next. But old formats die a lingering death, so it’s not like the format will leave the airwaves at once – in fact, I suspect the only time you’ll really know the format is dead is when you get that nostalgic feeling (now reserved for variety shows and musicals on the big screen) when you see a rerun on TV Land.
What should be of much greater concern to the moguls in Hollywood and New York is that TV viewership, in general, is dropping. Ratings for both scripted and unscripted shows are continuing their slide and that means one thing – audience delivery is down. Advertisers are getting increasingly militant about delivery and things are reaching the breaking point.
At some point, our 1960′s model for advertising to the mass audience with the 1980′s fix for cable is going to have to change. And I would suggest we look deeper into what the popularity of reality television tells us to find a solution.
Reality television is popular with broadcasters for two primary reasons – only one of which they’ll admit to. First, reality television doesn’t require a huge investment of viewer time or production studio assets to create a long-running television series. These things last four to eight episodes and they’re done. If they’re successful, a sequel is made. The fact that they’re (generally) unscripted has an appeal too – meaning the content is usually pretty fresh. That is, until enough “contestants” have seen so much reality television that we develop an entirely new lexicon of cliches that will take over the genre. Let’s worry about that in about three years.
The second reason broadcasters love reality television is that it’s cheap. No stars. Hell, better than that, no rehearsals, no scripts, etc. The only thing better than reality television is a celebrity trial like the OJ fiasco or what is bound to occur with Michael Jackson. Now that’s good television. Ugh.
What’s really driving all this, though, is a general ADD-izing of America. That’s not funny, I know (I have a son diagnosed with ADD). But the term gets my point across. People are getting more and more comfortable with the notion that they should be able to get the information they want (entertainment, news or otherwise) when they want it for as long as they want it. Then they’ll move on to the next thing.
The result is an audience that has been trained to not invest time, effort and interest in complex story lines or character development. Our attention span has grown so short that not even a cliche-ridden half hour sitcom can hold our interest.
Now it takes Donald Trump.
There’s an empowerment story in all of this. The appeal of reality television is the thought that all of this could happen to you – you can be a star. That was (and is) the appeal of game shows. But more importantly, reality television twists reality enough to bring the viewer in as a “star” even though the scenarios are horrid, the acting is bad and the production values are generally lousy.
As marketers we need to understand the significance of these trends and help our clients – and society – find a way to cope with our continued media evolution.
Later.
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